
Gallery |
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"Fragment," wool, felt and brick, 15" x 66" x 3" |
ARTIST
STATEMENT: |
I
focus my attention on architectural spaces and functional objects
through interventions and alterations. I often shift materials,
dislodge context or tweak scale to amplify the persistent anxieties
that have become part of the landscape of contemporary living. I
introduce absurd possibilities and create a sense of instability,
disaster and ruination. In these fictive spaces that are at once
deeply familiar and uncannily unsettling, the viewer confronts work
that elicits both a physical and psychological response.
By sliding the work away from its utilitarian function, the work bumps
against the edges of our perception and questions our own
adaptability. It provides space to examine the strange beauty,
wreckage and oddity of the world we build for ourselves.
Rena Leinberger, 2009 |
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"Into the cellar,"
Mini dv video,
color with sound, 5min 30sec., 2005 |
It will be enough:
I work with potatoes. I sew and knit sculptures that cover and wrap
potatoes, whittle sculptures that clean and remove potatoes, and
photographs and film potatoes in absurd situations of excess and
longing.
Evocative of farming, clothing, and the isolation of home, the works
in It will be enough grow out of sickness, slowness and loss.
They are a collapse of hope, but also a belief in the power and
necessity of sustenance.
Sometimes this sustenance comes in the most unexpected of ways:
potatoes have often been the last resort in famine and war. But
their spread to worldwide cuisine depended on Spanish Conquistadors
and a shipwreck that washed potatoes ashore to Ireland.
Potatoes are also very versatile and soothing: they can be boiled,
steamed, fried, grilled or baked. They can grow in cold and
inhospitable soil. They have some of almost every nutrient; it is
possible to survive a long time eating only potatoes.
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RESUME |
Education: |
2002 |
M.F.A. The School of the Art Institute of Chicago, IL |
1998 |
B.A. Anderson University, Anderson, IN |
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Awards, Grants &
Residencies: |
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2013 |
Artist in Residence ,
Dickinson College. Carlisle, PA. In collaboration with Juanli Carrion. |
2012 |
Lower Manhattan Cultural
Council (LMCC) Swing Space Residency, NY
Creative Research and Projects Award, State University of New
York at New Paltz, NY |
2011 |
Catwalk Institute, Artist
in Residence. Catskill, NY
Creative Research and Projects Award, Architecture and Memory:
Berlin. SUNY at New Paltz, NY |
2010 |
threewalls Residency,
Chicago, IL |
2009 |
International Studio and
Curatorial Program (ISCP), New York. Residency.
Full Fellowship sponsored by the Joan Mitchell Foundation
Creative Research and Projects Award, State University of New York at
New Paltz |
2004 |
AIM (Artist in the
Marketplace), Bronx Museum of the Arts, NY |
2002 |
Joan Mitchell Foundation
MFA Grant |
2000 |
Scholarship Membership,
ARC Gallery, Chicago, IL |
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Selected Exhibitions: |
2016 |
ExPats, Indianapolis Art
Center. Indianapolis, IN (Upcoming Spring 2016)
Luck of the Draw,
The Bubbler, Madison Public Library,
Madison, WI |
2014 |
From within the flesh of
the world. Radiator Gallery, NY Curated by Eileen Jeng
Featured Artist Project: SP Weather Station. Center for Book Arts, NY |
2013 |
BA Photo Intn'l. Video
Program, curated by
Rodrigo Alonso,
Centro Cultural Recoleta, Buenos Aires, Argentina
Blonde Art Book Tour. Furthermore, Washington, DC.
Fields of Vision. Samuel Dorsky Museum of Art. Curated by Carl Van
Brunt. New Paltz, NY. (Catalog)
Rena Leinberger: Zero Panorama, Georgia Southern Univ., Statesboro,
GA. Curator: Marc Mitchell
Common Contexts, Goodyear Gallery, Dickinson College, Carlisle, PA ,
with Juanli Carrion. |
2012 |
Break/Step, Curated by
Eileen Jeng. (Catalog) Radiator Gallery, Queens, NY
LMCC Open Studios, Governors Island, NY
Design Like You Give A Damn, Space fiftyfour. London, UK |
2011 |
When it opens like this,
up is not over. Commissioned by NYC DOT Urban Art Program; sponsored
by International Studio & Curatorial Program. South Queens Plaza &
Vernon Blvd, Queens, NY
Heat Island, Smack Mellon, Curated by Natalie Campbell, Brooklyn, NY
Iced. Newhouse Center for Contemporary Art, Snug Harbor Cultural
Center. Staten Island, NY
25" RFP: included in Detroit: A Brooklyn Case Study. Superfront LA.
Los Angeles, CA
Pretty Vacant: An Exhibition in a Modern Ruin, Curated by Carlos
Little and Antonio Serna, Mathematics Collective. Brooklyn, NY
Groundwork: landscape, materiality and terrain, STOREFRONT, Brooklyn,
NY
An exchange with Sol LeWitt, Massachusetts Museum of Contemporary Art
- MASSMoCA, North Adams, MA Curated by Regine Basha.
Rema Hort Mann Foundation, 8.5 x 11, Mariane Boesky Gallery, NY |
2010 |
Still Action, curated by
Elissa Papendick and Libby O’Bryan, in Process in Product: Summer
Studio, organized by Mary Jane Jacob. Sullivan Gallery, School of the
Art Institute of Chicago, IL
Conflux Festival, NY
Central City Artists Project, NURTUREart, Brooklyn, NY
NURTUREart, group show, Curated by Dan Cameron., ZieherSmith, New
York, NY
dis.place.ment Urban Institute for Contemporary Art, Grand Rapids, MI
Invasive, Shirt Factory, Kingston, NY
Buy What You Love, Rema Hort Mann Foundation. Jack Shainman Gallery,
New York, NY
Rena Leinberger: Piles of Sunshine, threewalls, Chicago, IL |
2009 |
NEVERandAgain, ISCP, New
York. Curated by Elissa Levy.
Open Studios, ISCP, New York, NY
Clusterf*#k, group show, Zg Gallery,
Chicago, IL |
2008 |
John Davis Gallery, Elevator
Shaft Installation, Hudson, NY |
2007 |
John Davis Gallery, Sculptures Choose Sculptures, Hudson, NY |
2006 |
Bridge Art Fair, Miami, Zg Gallery,
Miami, FL
Art Chicago, Zg Gallery, Chicago, IL |
2005 |
Zg Gallery, “Working Process: A Glimpse
into the Artist’s Studio Practice,” group show, Chicago, IL
Bronx Museum of Art, “AIM 25,” Bronx, NY
Art Chicago, Butler Field, Chicago IL
Zg Gallery, “Rena Leinberger, It will be enough,” Chicago, IL
read reviews |
2004 |
Queens Museum of Art, “Queens International, 2004”
curated by Hitomi Iwasaki, Queens, NY (ctlg)
CUE Artist’s Foundation, “Joan Mitchell Foundation Group Show,” New
York, NY (catalog)
Summer
Show '04, Zg Gallery, Chicago, IL
Stray Show, Gallery 400, Chicago, IL |
2003 |
As Small As
Possible, Zg Gallery, Chicago, IL
Waiting, (with Ben Butler, as Lint) Evanston Art Center, IL
Compendium, Zg Gallery, Chicago, IL
Catching Up With the Sun, Klein Art Works, Chicago, IL
University Show, Northern Indiana Arts Council, Munster, IN
At the Edge, Gallery 400, Chicago, IL
12 x 12, New Artists
/ New Work, Museum of Contemporary Art, Chicago, IL
Sediment, site specific installation, collaboration with Ben
Butler, Zg Gallery, Chicago, IL
LAPSE, site specific installation, Zg Gallery, Chicago, IL
Collectable, Northern Illinois University Art Gallery, Chicago,
IL |
2002 |
12" x 12",
Group Show Zg Gallery, Chicago, IL
What is gathered, Installation, Gallery 400, Chicago, IL
Group Show, Gallery 2, Chicago, IL, Fall
At the Intersection of Sight
and Sound, International Center Gallery, San Antonio, TX
Rift, Apartment 1R, Chicago, IL
16th Annual Evanston & Vicinity Biennial, Evanston Art Center,
IL
Fittings, Storefront, Chicago, IL
January Group Show, Gallery 2, Chicago, IL |
2001 |
November Group Show,
Gallery 2, Chicago, IL, November
August Group Show, Gallery 2, Chicago, IL, August |
2000 |
Good N
Plenty, 1926 Exhibition Space, Chicago, IL
Print + Mass, Gallery 2, Chicago, IL
Counter Productive Industries, 1926 Exhibition Space,
Chicago, IL |
1999 |
Exchange
Show, Atelierhof Kundseverk, Bremen, Germany
ARC Members Show, ARC Gallery, Chicago, IL
Faculty Alumni Show, Anderson University Gallery,
Anderson, IN |
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Selected Publications: |
2012 |
Steve Mosco. Uncommon Beauty: Commissioned
artist Rena Leinberger transforms industry in LIC with ‘When it opens
like this, up is not over’. LIC Courier,
Volume 2, No. 3, February 2012. Cover; pp 10-11.
Ridgewood Times, Sam Goldman.
From DOT Depot to Work
of Art, February 9, 2012.
Queens Chronicle, Andrew Benjamin.
Urban art unveiled in Long Island City, February 9, 2012.
WNYC, Abbie Fentress Swanson.
FEATURES: Transporation Department unveils Urban Art Under the
Queensboro Bridge, February 3, 2012.
NY1. Queens Urban Art. Airdate: February 3, 2012.
Transportation Nation. NYC Unveils Art on Construction
Fence. February 3, 2012. |
2011 |
Chicago Tribune,
Photos: Museum of Contemporary
Art: 10 years of ‘12 x 12’.
October 27,
2011.
L
Magazine,
Editor’s Picks. June 22 - July 5, 2011 | Vol 9 | No. 13
ArtSlant,
Natalie Hegert.
Dog Days, July 3, 2011. |
2010 |
The East Village Local,
Carolyn Stanley and Alexa Tsoulis-Reay. An event where tech meets
geography. October 11, 2010. |
2006 |
Fiber Arts,
“Defining a Movement,” Article by Jessica Hemmings, pg. 33,
Sept./Oct. 2006, pictures |
2005 |
Artnet.com,
“An Exhibition of Potatoes,”
Review by Victor Cassidy, April 5, 2005
Chicago Reader,
“Potato Head, Interview with Rena Leinberger, Fred Camper, Sec.
2, March 4, 2005
The
Brooklyn Rail,
“Queens
International 2004,”
Review by Christopher Howard, February 2005
Chicago Tribune,
“Rena Leinberger crafts an exquisite little gem,” Art review by
Alan Artner, Feb. 25, 2005
New City,
“Eye Exam: The Potato Lover,” Review by Michael Workman, pg.
18, Feb. 10, 2005 |
2004 |
Spotlight on Living
Artists,
Hardcover, by Ivy Sundell, Crow Woods Publishing, 2004
Cue
Art Foundation Catalog,
Catalog Essay by Gregory Amenoff, Joan Mitchell MFA Grant Exhibit
Catalog, June 2004
Sculpture
Magazine,
“Waiting” Evanston Art Center,
Jan. - Feb. 2004, picture
New City, “Eye
Exam: Under Siege,”
Review by Michael Workman, January 6, 2004 |
2003 |
Pioneer Press,
Ellen Pritszker, “Take some time for Waiting,” October, 9, 2003
Chicago
Artist’s Coalition News,
John Brunetti, “Reclamation: Themes in the Work of Three Emerging
Artist,” Oct. 2003
New City,
“A House is Not a Home”, Review by Michael Workman, pg. 18,
September 18, 2003
Mouth to
Mouth Magazine,
“Rena Leinberger”, Oral Report by Julie Farstad, Vol.1, No.4, pg
33, Summer, 2003
Chicago
Tribune,
“Collecting remains in the eye of the Beholder,” Lisa Stein,
Art Scene, March 7, 2003
Collectible,
Northern Illinois University Art Museum Gallery in Chicago, catalog,
2003 |
2002 |
Chicago Tribune,
“Rena Leinberger,” Alan G. Artner, Art Reviews, October 18,
2002
Illinois at Chicago,
College of Architecture and the Arts, Chicago, IL, catalog, 2002
What is Gathered,
Paul Burkhardt, Exhibition Essay, October 2002
Bridge
Magazine Online,
Rena Leinberger, Jeff M. Ward, September 2002
At
the Intersection of Sight and Sound,
San Antonio International Center, TX, catalog, 2002 |
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Public Collections: |
Dennison University
Doane Library
Massachusetts College of Art, Godine Library, Artist Book Collection
Otis College of Art & Design Library Artist Book Collection,
School of the Art Institute of Chicago, Joan Flasch Artists’ Book
Collection
University of Utah Arts Library
Virginia Commonwealth University, James Branch Cabell Library, Book
Art Collection |
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